11/19/2022 0 Comments Macdropany high sierra![]() ![]() Meanwhile, Marie falls in love with Roy, but he does not reciprocate. At the camp, Algernon, a handyman, introduces Roy to Pard, a small dog to whom he takes a liking. Babe has brought along his girlfriend Marie Garson, a dance hall performer from Los Angeles.ĭeriding Marie's involvement, Roy insists she return to her home in San Francisco, but after an argument, he agrees to her staying. Roy drives cross-country to an abandoned logging camp in the mountains to meet with the three men who will assist him in the heist: Louis Mendoza, who works as a clerk in the hotel, Red, and Babe, who are already living at the camp. He wants the heist led by convicted bank robber Roy Earle, whose recent release from an Indiana prison was the result of Big Mac's bribing the governor. The film contains extensive location shooting, especially in the climactic final scenes, as the authorities pursue Bogart's character, gangster "Mad Dog" Roy Earle, from Lone Pine up to the foot of the mountain.Īn aged gangster, Big Mac, is planning a robbery at a fashionable California resort hotel in the resort town of Tropico Springs in the Sierra Nevada. The film's success also led to a breakthrough for Huston, providing him with the leverage he needed to make the transition from screenwriter to director, which he made later that year with his adaptation of The Maltese Falcon (1941), starring Bogart. Macdropany high sierra professional#The film cemented a strong personal and professional connection between Bogart and Huston, and provided the breakthrough in Bogart's career, transforming him from supporting player to leading man. Burnett (also known for, among others, Little Caesar and Scarface). The screenplay was co-written by John Huston, Bogart's friend and drinking partner, adapted from the novel by William R. Parts of the film were shot on location at Whitney Portal, halfway up Mount Whitney. Its plot follows a career criminal who becomes involved in a jewel heist in a resort town in California's Sierra Nevada, along with a young former taxi dancer (Lupino). ![]() Burnett and John Huston from the novel by Burnett, and starring Ida Lupino and Humphrey Bogart. In conclusion, very, very good.High Sierra is a 1941 American film noir directed by Raoul Walsh, written by William R. The characters carry the film really well and don't feel stock or like ciphers. The final third especially leaves one glued to the edge of the seat. The story as an overall whole is gripping and with the right amount of suspense. The music is suitably ominous in the right places and Huston's script is taut and pacey with a lot of smart wit and edge. Visually, 'High Sierra' is very well made, with very stylish and suitably eerie photography that helps open up and give atmosphere to the settings. Walsh gives some of his best directing here, especially in the suspenseful and cleverly staged final third. As does the adorable dog, who brings so much charm to all the scenes it steals without any effort. Although her subplot left me mixed, Leslie does a very good job in a role not easy to play and raises some smiles. Ida Lupino also fares strongly, tough but also very easy to like. It is very easy to see why he became such a big star after this. On the other hand, Bogart is excellent and brings both hard-boiled intensity and in the right places an endearing softer side. Did feel too that although sweet and that it wasn't too sentimental, the Joan Leslie subplot was a little strange at times and didn't always fit. If asked whether the film is recommended to me, my easy answer would be yes. Regardless of any small imperfections that were not enough to ruin the film drastically. It has pretty much everything that makes me love film noir or similar films and the genres it falls into, and hardly anything disappointed. To me and many others, this is a very good and often excellent film and up there with Bogart's best films and performances. All done justice here in 'High Sierra' and far from wasted. John Huston was another fine director and was equally good at script-writing as seen here. Raoul Walsh was a gifted director, evident in two of his best known films 1924's 'The Thief of Baghdad' and 1949's 'White Heat' (two of the best films in their respective genres) amongst others. It also has Humphrey Bogart in the film that properly propelled him to stardom and fully established his comfort zone. 'High Sierra' belongs in genres that have been held in long-term high regard by me. ![]()
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